![]() ![]() ![]() Before most of the tools could work, a firmware upgrade was needed for the camera. While downloading and installing the SDK was simple, actually getting the ZED to work was quite challenging in the development environment here.įirst, we started using the ZED camera here over a year ago. The installer gives the option of also installing sample code, useful for development purposes. Download it from the website, set the permissions, and then run the installer from a terminal. Stereolabs recently updated their website to facilitate better interaction. The Jetson acts as the host computer for the ZED in this article. Stereolabs has a Github repository with a lot of code for project support, which is worth checking out. These functions include such interesting tasks as 6-axis Positional Tracking (visual odometery, no markers needed) and large-scale 3D environment mapping. There are a variety of other APIs in the ZED SDK which do further processing. The small package and relatively light weight make the ZED an interesting choice for robotics and other mobile applications. The host computer then constructs a depth image using a GPU. For each frame, a composite of the left and right images (side by side) are sent over USB 3.0 to a host computer. The ZED Camera is a stereo depth sensor which contains two 4 megapixel imagers. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.The Stereolabs ZED Camera is introducing SDK 2.0 which includes support for the Jetson TX1 and Jetson TX2. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. ![]() The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. ![]() That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing. ![]()
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